For the first time, the leopard enters an interior.

Set within an architectural space—defined by a column, a wall, and a terrazzo floor—the scene shifts from open landscape to a constructed environment. Beyond, bands of colour evoke a distant sunset, blurring the boundary between inside and outside.

A large unseen window reveals itself only through light: its shadow stretches across the floor, suggesting a presence that is felt but not seen.

The leopard moves quietly through this space, no longer entirely wild, yet not domesticated. It inhabits a threshold—between exterior and interior, instinct and structure.

On the Wall marks a moment of arrival.
Or perhaps, a pause before crossing further in.